In the article, Our Media, Ourselves: Are We Headed for a Matrix? by Bob Mondello, he claims that society is attempting to create connections through the evolution of technology, however, the slickness, isolationism, and replacement of old articles, such as books, has led individuals to forget him/herself in the process. Mondello describes this as a “fear of losing ourselves as we lose our stuff” and asks if that just a product of “our experiences with technology.”
It’s obvious to see, through all the sci-fi dramas and movies, that it’s quite possible society could lose its organic composition to technological advancements. In the story, The Machine Stops by E.M. Forster, one of his characters, Vashti, claims nothing in her “room” but an armchair and a reading desk. It has no clutter that an individual would see in every day life, such as paper work, pencils, or just photographs. Everything has become automated in this case, but Vashti feels that “the sight of her room, flooded with radiance and studded with electric buttons, revived her.” Her reliance on the Machine is also what Mondello enforces near the end of his article, which he states that The Machine Stops is focused on the “overreliance on devices,” which is emphasized in the character Vashti, especially when she is on the airship in Part I. Because of the lack of clean air that the Machine produces and is not transferred to the airships, Vashti “smelt – not strongly or unpleasantly, but it did smell.” Her overreliance on the Machine has caused her to find air outside of her room unsatisfactory, even if it might be fine air. However, it was not made by the Machine, and that is why Vashti doesn’t like it. She finds that the arrangements made her anxious because they were “old-fashioned and rough,” not slick, clean, and minimalistic like her room. Mondello was able to point out this fact that “Forster was writing decades before TV started creating couch potatoes, almost a century before parents could complain about computer games turning characters into zombies. And still, his character Vashti doesn’t want to leave her little hexagonal cave. Why would she?”
With Mondello’s last statement, it’s easy to see the convenience of technology, such as Skype to where someone can speak to another person from all over the globe. Vashti was able to speak to her son, Kuno, easily without her having to leave the comfort of her own room. Technology has made communications and connections easier between society and communities. Not only that, but another of Vashti’s concerns can be addressed, which is the slickness, cleanliness, and minimalistic desire that has become a “modern” look in homes, office buildings, and restaurants. Individuals are consumed by the idea of having minimal clutter and maximum cleanliness; they disregard the articles, such as old Polaroid photos or dictionaries, as clutter because why need them when he/she can type in Google what they want to see? Why not just Photoshop edit pictures to make them look like old Polaroid pictures? They don’t see it as things that create them but only as clutter.
However, even Mondello addresses this fact after he quotes Forster during the point when Vashti communicates with her friends. After he quotes The Machine Stops saying that “the clumsy system of public gatherings had been long since abandoned,” Mondello says, “Abandoned for chat rooms? Online dating? We’re almost there, right? Everything virtual until you’re actually in the apartment of a new acquaintance. At which point, what do you do? Scan the bookshelves and glance through DVDs, looking for clues. Faulkner? Steven Spielberg? There by the VCR player, is that Sinatra or Sid Vicious?” Mondello points out the fact that people can learn so much from what others deem as “clutter.” Venturing into a new friend’s home, it’s obvious that newcomers will be curious as to what this new friend has in their home. Looking at the “clutter,” one can learn much just from it. “Oh he listens to Nicki Minaj? We’ll get along great!” Simply learning from observing is what places individuals into groups and creates (life-long) friends or even lovers.